The Kinks' Missing Chapter

Most Kinks fans consider the period from "Face to Face" through "Something Else," "The Village Green Preservation Society" and "Arthur, or the Decline and Fall of the British Empire" (1966-'69) as the band's peak creative moment. Yet, coincidentally, because of a spat with the American Federation of Musicians, the Kinks were effectively banned from playing live in the United States during that same period. So unlike the Beatles - and XTC further down the road - who pulled themselves off the road at their creative peak, the Kinks were forced off the road by a union dispute in the United States.

In October/November 1969, they returned to these shores with a vengeance, playing a four-city tour of the Fillmore East in New York City, the Kinetic Playground in Chicago, the Whiskey-a-Go-Go in LA and the Fillmore West in San Francisco. Thanks to the first-rate music blogsite BB Chronicles, I was recently able to

download a recording of the Kinks' November 27, 1969 performance at the Fillmore West. What a revelation.

These guys were ready to challenge the Rolling Stones and the Who on their own turf. I have never heard Dave Davies play such incendiary guitar. "Last of the Steam-Powered Trains" and "Love Me Till The Sun Shines" are guitar tours-de-force. How about quick dirty versions of "Mr. Churchill Says" and "Big Sky"? Or the medleys - "Milk Cow Blues/See My Friends/Tired of Waiting for You/Brainwashed" and "A Well-Respected Man/Death of a Clown/Dandy"? The hits, too, of course. But "Louie, Louie"?

Ray is totally in control and sounds so young. Most importantly, this recording illustrates that the Kinks in 1969 really weren't just Ray's band; they were the Davies brothers' band.

The group that was toning it down and turning up the IQ level in the studio was still a down-and-dirty Muswell Hill pub band at heart. Hearing this performance brought me a lot closer to the point where "You Really Got Me" became "Sunny Afternoon." God save the Kinks.